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Born into a family of privilege, Diana Dalziel Vreeland grew up amid the fashionable of New York's Upper East Side. With a famously alluring mother and a classically beautiful sister, young Diana often felt isolated and unloved. But she was saved from her unhappy childhood by her audacious imagination as well as the grit and determination that would shape her extraordinary life.
Talent-spotted by legendary editor Carmel Snow in 1936, Diana joined Harper's Bazaar as a fashion editor, where her singular point of view and signature style quickly made her a major creative force in American fashion. Under her influence, American designers became chic during World War II, and with her pizzazz she inspired a raft of fashion talent on both sides of the Atlantic.
Passed over as successor to Snow, Diana did the unthinkable and accepted the title of editor-in-chief of Bazaar's archrival, Vogue. In Diana's Vogue, women were not only offered shockingly short skirts and silver hipster pants: even more radically, they were encouraged to embrace the free spirit of the sixties, to resist fashion orders from on high, and to use their own imaginations in re-creating themselves. When Women's Wear Daily asked Diana, "What is the function of a fashion magazine?" she replied, "To instruct when possible, to delight, to give pleasure, to bring to the reader what interests her. Everybody makes an appearance every day."
In 1971 Diana was fired from Vogue. She reluctantly accepted a new position for herself at the Metropolitan Museum of Art as Special Consultant to the Costume Institute, only to reveal a new dimension to her brilliance. Her first show, on the work of designer Cristobal Balenciaga, drew more than 150,000 people to the museum, and the show that followed smashed all the record books. The Metropolitan was stunned, and today's blockbuster exhibition was born.
In this first full-length biography of Diana Vreeland, Amanda Mackenzie Stuart portrays a visionary: a fearless innovator who inspired designers, models, photographers, and artists.
Vreeland reinvented the way we think about style and where we go to find it. As an editor, curator, and wit, Diana Vreeland made a lasting mark and remains an icon for generations of fashion lovers.
About the Author
Amanda Mackenzie Stuart worked as a screenwriter and independent film producer for a number of years before publishing her first biography, the critically acclaimed Consuelo and Alva Vanderbilt: The Story of a Daughter and Mother in the Gilded Age. She lives in Oxford, England.
Praise for Empress of Fashion: A Life of Diana Vreeland…
“An intelligent account of the life and accomplishments of legendary Vogue editor-in-chief, Diana Vreeland…A richly detailed and well-researched biography of a fashion icon”