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In his fourteenth collection of poetry, Pulitzer Prize and National Book Award winner James Tate continues exploring his own peculiar brand of poetry, transforming our everyday world, a world where women give birth to wolves, wild babies are found in gardens, and Saint Nick visits on a hot July day. Tate's signature style draws on a marvelous variety of voices and characters, all of which sound vaguely familiar, but are each fantastically unique, brilliant, and eccentric.
Yet, as Charles Simic observed in the New York Review of Books, "With all his reliance on chance, Tate has a serious purpose. He's searching for a new way to write a lyric poem." He continues, "To write a poem out of nothing at all is Tate's genius. For him, the poem is something one did not know was there until it was written down. . . . Just about anything can happen next in this kind of poetry and that is its attraction. . . . Tate is not worried about leaving us a little dazed. . . . He succeeds in ways for which there are a few precedents. He makes me think that anti-poetry is the best friend poetry ever had."
About the Author
James Tate was born in Kansas City, Missouri, in 1943. He is the author of sixteen books of poetry, including The Ghost Soldiers; Return to the City of White Donkeys; Memoir of the Hawk; Shroud of the Gnome; Worshipful Company of Fletchers, which won the National Book Award in 1994; Selected Poems, which won the Pulitzer Prize and the William Carlos Williams Award in 1991; Distance from Loved Ones; Reckoner; Constant Defender; Riven Doggeries; Viper Jazz; Absences; Hints to Pilgrims; The Oblivion Ha-Ha; and The Lost Pilot, which was selected by Dudley Fitts for the Yale Series of Younger Poets. He teaches at the University of Massachusetts in Amherst.